Au Sow-Yee

區秀詒

Reviews 評論

2018

English:

Narratives thwarted: Tokyo and New York take on art from Southeast Asia

Signature Art Prize: When History Becomes a Catalyst in Art Making

中文:

Signature Art Prize:當歷史變成藝術創作的催化劑

2017

English:

Vdrome: introduction and interview by Lee Weng Choy

中文:

給哲阿里:一種回溯的節奏/鄭文琦

LEAP 素材 | 影像之痕:区秀诒

2016

中文:

地理与影像的时空迁越——关于区秀诒的克里斯计划I/Ag(沈仲旻)上海外灘畫報文工團

 

2015

English:

Notes on Habitation and Elsewhere / Sharon Chin (Malaysia)http://sharonchin.com/notes-on-habitation-and-elsewhere/

Habitation and Elsewhere: Image as Instrument / Art KL-itique (Malaysia)http://artklitique.blogspot.com/2015/08/habitation-and-elsewhere-image-as.html

Creating Contemporary Images of Symbolic Minorities: On Sow-Yee Au’ s Mengkerang Project / Sing Song-Yong  : article link

中文:

馬華與台灣:重返歷史現場的複眼思考/魏月萍(原刊登於今藝術雜誌/2015年11月號):http://udn.com/news/story/7034/1302347-馬華與台灣:重返歷史現場的複眼思考

無限發掘居所與他方(暨居所與他方在吉隆坡的發表與論壇) /郭昭蘭 (「居所與他方:影像測量計劃 區秀詒 個展」策展人(原刊登於藝術家雜誌/2015年10月號):http://jasper75.pixnet.net/blog/post/42924416

重構與結構,影像的解放/張錦超 Chong Kim-Chiew(原刊登於馬來西亞星洲日報):http://chongkimchiew2.blogspot.tw/2015/08/blog-post.html

區秀詒的歷史殘影術:由「棉佳蘭」計畫至《山瘟》:http://talks.taishinart.org.tw/juries/ssy/2015072902

時間成為主角的表演現場《山瘟》/林乃文:http://pareviews.ncafroc.org.tw/?p=16950

漁網、影像與石頭:區秀詒的棉佳蘭計畫/簡子傑:

http://talks.taishinart.org.tw/juries/frq/2015050402

倘若「語言是民族的靈魂」/許芳慈  (If Bahasa Jiwa Bangsa Excerpts / Fang-Tze Hsu):

http://projectglocaltaipei.blogspot.com/2015/04/if-bahasa-jiwa-bangsa.html

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